Ehsan Kaykhah | KAY

Experiential Marketing/2020

WINDOW DISPLAY, Tehran

Luxury building-materials brands were being shown in the same undifferentiated booth grid as commodity suppliers — a format that flattened exactly the qualities they were selling.

Suspended orange and gold thread installation forming a light cone
Client
Banaye Bartar
Place
Ava Center, Tehran
Year
2020
Category
Experiential Marketing

The challenge

Luxury building-materials brands were being shown in the same undifferentiated booth grid as commodity suppliers — a format that flattened exactly the qualities they were selling.

What changed

The fifth edition ran as a private, four-day presentation with spatial installations built per brand. Material, light and threshold did the persuading; the printed panel was demoted to a footnote.

The outcome

The edition established the private-presentation model that the following editions were built on, and won the format recognition from Iran's building industry.

Edition
5thEdition
Days, invitation only
4Days, invitation only
Purchase intent
58%Purchase intent

Held at the Ava Center in Tehran, the fifth edition of the platform opened its doors for an annual four-day run as a private presentation of Banaye Bartar and superior companies in building materials and luxury finishes.

The design premise was direct: a material is a sensory argument, and a sensory argument cannot be made from a laminated board. Each brand received an installation — suspended thread fields, illuminated volumes, controlled thresholds — so that the first encounter with the brand was an encounter with the material itself.

The edition also fixed the audience model that WINDOW became known for. Attendance was by invitation, weighted toward specifiers and buyers with active projects, which is what allowed the platform to make a commercial claim rather than a design one.

A white frame lit from within by vertical light lines, crossed by a single orange bar
A living green wall running the length of the concrete hall, visitors alongside it
A setting in blocks of red, yellow and blue inside a white frame, visitors reading the panel beside it
A room of parquet panels hung as samples on a raw concrete wall

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